Questions about ‘The Paper Symphony’
I’ve been at sixes and sevens about this post since I knew I had to do it. Even had a hard time picking the leadoff graphic. This one does convey the idea of questioning the decision by a great man of senior years. But this one introduces the notion that Philip Glass’s principled stand is one that has been sponsored by indolent dilettantes who didn’t give a fig about the Kennedy Center during the decades in which it has been literally falling down. Falling down. Along with all the forms of high art the Kennedy’s were trying to inspire with a facility for culturally significant performances by the nation’s most gifted artists. Interesting and ironic that they choose the 87 years Philip Glass to deliver their most stinging blow against the unspeakable privately financed renovation of the crumbling building and its wayward preoccupation with niche artistes. Am I getting ahead of myself here? Did you miss the story when it broke? Lawrence O’Donnell, the left’s fantasy Dean of Jeffersonian ...




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