Minimalism has been a periodic ideal of modern and post-modern esthetics. Purely arbitrary, of course, though not without possibilities and even infinities of its own. For example, there are those who regard Haiku as a sort of supreme test of the poet, since poetry is commonly defined as the best words in the best order. This leaves the door open for imagining that there is an absolute minimum definable for capturing profound truth in the fewest of the best words in the least of the best order. In Haiku there must be 17 syllables, some reference to a season (ensuring universality I guess), and a prohibition against rhyme to prevent cheating (another guess). What if this definition of the minimum is wrong? What if there’s some way to reach great truths in less than 17 syllables? In less than a single word even? And, gasp, in less than a single letter on the page? Impossible? Well, why the hell not? I propose that the graphic above is a poem, subject to meaningful exploration, inte...
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